[View on Stevenson’s website here]

These petite volume’s collect 75 recipes each from Phaidon’s best-selling classic compendiums Vegan: The Cookbook and Greece: The Cookbook.

More on Phaidon’s website:
The Greek Kitchen
The Vegan Kitchen

Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg’s city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Published here for the first time, his photographs form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act.

View on Mack’s webiste here. If in South Africa, purchase from The Book Lounge here.

The cover reads as a story from front to back, with a 1986 photograph of Hassimia Sahib’s partially-demolished butchery on the front cover, and a 1988 photograph showing the empty ground after the building’s complete demolition. I decided to include captions along with the photographs on the cover as, according to Brenda Goldblatt, David’s daughter and editor of the book, his narrative captions are as important as the images, and should not be read separately.

Book design for The Walther Collection’s Suite 718. Working closely with Artur Walther, Troy Wong and Simon Hunegs, this book was over a year in the making.

Located in Suite 718 of the landmark West Chelsea Arts Building was The Walther Collection’s project space (2011-2021). It became an incubator for ideas, promoting sustained inquiry into the collection’s three main areas of focus: African, Asian and vernacular photography, expanding the history of the medium worldwide. Recording the space’s extensive activities, this book reflects on the significance of The Walther Collection and its lasting impact on the landscape of contemporary art in New York.

View on Steidl’s website here.

Artist-potter Hylton Nel has been making his unique ceramics since the 1960s. Celebrating and gently subverting pottery archetypes across eras and civilisations, Nel’s charming, witty and joyful practice is unapologetically curious and quirky, often with a wistful lamentation for the human condition. This third monograph presents a selection of works from the past fifty years, from poetic text-covered vases and portrait plates to his playful feline take on Staffordshire pottery. An introduction by Kim Jones OBE and a text by Tamar Garb are accompanied by short extracts of the artist’s own words.

View on Hurtwood’s website here.